The soprano solo begins with an unadorned recitative (that is, a melodic speaking that is essentially rhythmically free): “There were shepherds abiding in the field, keeping watch over their flock by night.” As the narrative moves forward, the accompaniment increases with a sweet but driving rhythm, building to the place where “suddenly, there was with the angel a multitude of the heavenly host praising God and saying.” Then, majestically, the chorus joins in singing, “Glory to God, glory to God in the highest!” From that point on, voices sing in harmony and answer one another with the Gloria in Excelsis Deo, the song of the angels when they announce the birth of Jesus. In his Messiah, Handel captures well the mood and glory of the scene. When performed well, the sound that surrounds you and strikes your body with its power, tuning your whole being to its message, is rapturous.
As glorious as a well-performed Messiah is, it must be a dim reflection of what the shepherds heard that night when the angelic armies, the throne-chariot of God, sang the Gloria for the first time. Nevertheless, as dim as the earthly reflection might be, the angelic warriors were drafting earthly warriors to take up this song with them. The church has done so by including the Gloria in Excelsis in its historic liturgies for many occasions. We continue to sing the angelic war song because we continue to fight for that peace which is the aim of the song.
The song is brief, but it is pregnant with meaning. The song is composed with parallels that help us to understand its message. “Glory” is parallelled with “peace,” “highest” is paralleled with “earth,” and “God” is paralleled with “favored men” or “men with whom he is well pleased.”
“Glory to God” is not synonymous with “praise God,” though it certainly includes that. The angels are proclaiming the glory of God, and the glory of God is the manifestation of his life; it is the radiance of his character; it is the expressed fullness of all that he is and does. When paralleled with “peace,” the angelic choir is proclaiming the way God himself lives. God’s glory is manifested in peace. This peace is the full, joyful, healthy life that is shared among the members of the Godhead and those in heaven. God lives eternally at peace as Father, Son, and Spirit, and the aim of the creation project is to bring the earth to enjoy the fullness of this peace. The angels are prayerfully singing that God’s peace will be realized on earth as it is in heaven.
This peace of God will come to those whom God favors or those with whom he is well-pleased. These favored ones, the shepherds, Mary, Elizabeth, Zechariah, and others like them who hunger and thirst after righteousness–for God to set things right in the world–will be the recipients of this peace.
This peace will only come at the end of conflict because the present evil powers who despise God’s peace will not go down without a fight. With our King, we, the armies of God, will fight. The fight is not conventional fleshly warfare. “For though we walk in the flesh, we do not war according to the flesh. For the weapons of our warfare are not fleshly but are powerful in God to the pulling down of strongholds” (2Cor 10.3-4). One of our weapons is to join the song of the heavenly armies. As David drove away the evil spirits through music (1Sm 16.23), so we, through singing with the angelic armies, “Glory to God in the highest and on earth peace with favored men,” will advance the line against our enemy to eventually bring about the peace of which we sing.
