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By In Culture, Film

The absurdity of sin in ‘Fargo’ Season 2

The Coen brothers have a reputation for exploring biblical morality in many of their movies, Hail, Caesar!  being their most religious yet. The writers of the Fargo television series have remained faithful to the Coen tradition. Seasons 1 & 2 serve as a cautionary tale of how belief fundamentally shapes moral behavior. This review focuses on Season 2 and concludes with a summary of both seasons. The review for Season 1 can be found here.

Warning: Spoilers ahead

Season 2

Season 2 is a prequel to Season 1, set in 1979. Lou Solverson is our hero, a young cop with a wife named Betsy and a daughter named Molly. Other than these characters, a connection to Season 1 isn’t immediately discerned. Many have said that the series could be watched in reverse without giving away spoilers. This much is true and will prove relevant to our conclusion.

In episode one, Waiting for Dutch, we catch a glimpse of Ed and Peggy Blumquist holding hands to pray before a meal. The Blumquists are religious to some extent, though we learn that it has no root in their lives. Ed has big dreams of owning a butcher shop and raising children, but he is oblivious to his wife’s needs and desires. Peggy is plagued with stress and anxiety. She’s a compulsive hoarder who yearns for satisfaction in what she perceives to be an unsatisfactory life. She isn’t happy at home, at work, or in Luverne, Minnesota.

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By In Culture, Film

The consequence of evolution in ‘Fargo’ Season 1

Religion and philosophy are common themes on FX’s Fargo series. Seasons 1 & 2 serve as a cautionary tale of how belief fundamentally shapes moral behavior. Together the seasons offer a grim analysis of our cultural landscape, but one that doesn’t leave us without hope. This review focuses on Season 1 only. Click here for Season 2 and series summary.

Warning: Spoilers ahead

Season 1

The year is 2006 and Lorne Malvo is a professional killer with no conscience. He is presented as a master of manipulation and intimidation. Malvo kills who he wants, when he wants – and with great ease. When he finds himself confronted by law enforcement, Malvo always manages to get free. Magically so, seemingly able to escape enclosed basements, control minds, and create fake identities ex nihilo.

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