God’s people are a missionary people, and this is not true only of the New Testament church. God called Abraham to bless the Gentiles through him, and one of Israel’s recurring sins was her failure to carry out this mission. Israel was supposed to evoke praise from the Gentiles, but instead , er idolatries and sins caused the Lord’s name to be blasphemed. (more…)
Author Remy Wilkins teaches at Geneva Academy
His first novel is available from Canon Press
We are made to be happy. Created to enter into the eternal joy of God, our whole being inclines to that end, but the fallen world has put forth barriers and by our own sin we bar ourselves from that endless delight, and death blinds us to that reality. Yet laughter breaks through.
This tendency for all things to bend to joy is seen in memory. Nobody in recalling an injury feels its pain again, but at the slightest invocation of a joyous event laughter spills out. Pain is forgotten yet joy soars on, achieving greater heights at each remembrance. Faith and hope join hands in laughter, for it is a bold declaration that though this world is fraught with terror, evil and ills yet we can delight in it because we know its comedic end.
Laughter is a powerful weapon. It is a divine act and a powerful contrast between Yahweh and Allah, who does not laugh. But for all that is praiseworthy in laughter there is the laughter of fools that should give us pause. What is the difference between foolish laughter and the laughter of the wise? (more…)
On this podcast, Jordan addresses the question of the appropriateness of music in worship, the use of chant in the Protestant tradition, and musical instruments.
Jordan makes the argument that “worship shouldn’t sound like the rest of the week.” He acknowledges that this often makes modern worshippers uncomfortable, but points to John Calvin’s example of teaching the Genevan Psalter, then strange and unfamiliar to the adults, to children. “Do you want you children growing up not knowing the psalms?” asks Jordan. “Or are you willing to set aside what makes you feel good for the sake of your kids?”
Demystifying chant, Jordan points out that part of the problem is the English language itself. He explains that “other languages don’t have two different words for sing and chant.” Jordan surveys the various Protestant uses of chant and explains the surprisingly recent history of what we think chanting sounds like.
Finally, James B. Jordan offers practical wisdom for pastors and worship leaders on how to develop music in their local congregations. “Don’t do anything that calls attention to yourself,” says Jordan, who prefers to see the leaders in worship as servants, not performers. On the issue of instruments in Worship, Jordan playfully tackles to the controversy of guitars and explains how the pipe organ most fully respects the orchestral dignity of the worship service.
About James B. Jordan
His father was a professor of French Literature and his mother a piano teacher and a poetess. Jordan graduated from the University of Georgia in 1971 with a degree in Comparative Literature and studies in music and political philosophy. He finished his master’s degree in systematic theology at Westminster Theological Seminary, Philadelphia and was awarded the D. Litt. degree from the Central School of Religion, England, in 1993.
Jordan is the author of several books, including The Sociology of the Church (1986); Through New Eyes: Developing a Biblical View of the World (1988); Creation in Six Days (1999); and several books of Bible exposition, worship, and liturgy.