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By In Culture

Art in the Shadows

My fellow Kuyperian contributor, Dustin Messer, recently wrote some worthwhile reflections on David Skeel’s book True Paradox. Explaining Skeel’s take on art, Messer notes that in the Christian worldview, art must tell the truth about the world by witnessing to its entire story: creation, fall, and redemption:

“This story of creation, fall, and redemption permeates the Scriptures, and because the Scriptures tell the true story of this world, it permeates our experience as well. Thus, for art to be affirmed by the Christian worldview, it of course can—and must—touch on these themes. Granted, each and every piece of art won’t include each and every theme each and every time. A work which reflects the pain and depravity of creation is no less true than the work which points to the world’s inherent dignity and goodness, or a work which alludes to the balm and remedy brought by Christ, for that matter.”

Unfortunately, modern Christian forays into art seldom aspire beyond portraying the happy aspects of life in the world. Christians often treat art as something that exists only in the sphere of redemption—a discipline dealing only with the aesthetically pleasant. Rather than engaging the world, art functions as sanctified entertainment, leaving unexplored vast areas of human life. The full story of the fall is left untold—it may as well never have happened.

But the wonder of redemption is unintelligible apart from the horror of the fall. The reality of the fall is a truth no less than the new creation. Thus, if Christians are to tell the true story of the world, our involvement with art (whether as creators or audiences) cannot be limited to the brightness of redemption, but should entail confrontation with the darkness of the fall. Scripture certainly does not shy away from revealing the harrowing extent of the fall and its effects on all of creation.

A classic example of this is J. S. Bach’s masterpiece oratorio, St. Matthew’s Passion, whose final chorus is a lamentation on the death of Christ, entitled, “We Sit Down in Tears.” The Passion does not end with the resurrection, and so leaves the listener unsettled. Bach understood that profound art contains truth and tension, and even with a sacred work, he did not feel the need to append a happy ending so his audience would leave with good vibes. By concluding his piece with the burial of Christ (and dealing with the resurrection in a separate work), Bach enables listeners to feel the weight of sin and death and more fully identify with the sadness and despair experienced by Christ’s disciples.

For Christians, depicting the brokenness of creation is not lapse into nihilism, but rather a truthful, even hopeful, artistic endeavor. Simply acknowledging the reality of the fall presupposes that the world was created good, but that things are not now as they should be. Attesting to the darkness in the world can also illustrate the pervasive extent of the fall, narrate the misery and consequences of sin, expose injustice, point to the necessity of redemption, and accent the incompleteness of restoration until the life of the world to come.

Such a perspective ought to open up new vistas for Christian artistic endeavors and encounters. Life on this side of the new heavens and new earth will always partake of unresolved tension, and so artistic engagement with the fall will always be appropriate. Works of art presenting the depths of the fall can witness to the truth as much as works that are explicitly redemptive.

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By In Culture

The Transcendent Source of Beauty and Art

“But if you confess that the world was once beautiful, but by the curse has become undone, and by a final catastrophe is to pass to its full state of glory, excelling even the beauty of paradise, then art has the mystical task of reminding us in its production of the beauty that was lost and of anticipating its perfect coming luster.” -Abraham Kuyper

In his book True Paradox, David Skeel makes the point that beauty—especially that beauty which is seen in art—is the result of tension, of one kind or another. Obviously, the kind of tension that typically comes to mind is that between good and bad, right and wrong. Christianity gives a full throated voice to this tension. While the world was created good, it is fallen—which is to say it’s both broken and rebellious—but Christ has come to restore and redeem creation. In other words, Christ has come to resolve this tension.

This story of creation, fall, and redemption permeates the Scriptures, and because the Scriptures tell the true story of this world, it permeates our experience as well. Thus, for art to be affirmed by the Christian worldview, it of course can—and must—touch on these themes. Granted, each and every piece of art won’t include each and every theme each and every time. A work which reflects the pain and depravity of creation is no less true than the work which points to the world’s inherent dignity and goodness, or a work which alludes to the balm and remedy brought by Christ, for that matter.

The fact that beauty is a result of tension—and the tension between good and evil is resolvable—poses an interesting and important question vis-à-vis the Christian aesthetic; namely, “is beauty eternal?” The answer to this question is more complex than one might first expect. To begin with, the tension between “good” and “bad” is contingent upon evil—which is finite. Obviously, before the fall and after the second coming of Christ, there is no such tension. This tension has a beginning (Gen 3) and an end (Rev 21).

Now, at least the three Abrahamic religions (Christianity, Judaism, and Islam) agree on this point: evil is not eternal—it has a beginning and an end. This tension, most of us agree, will be resolved. However, the Christian faith has a unique claim on beauty specifically. Before the fall, indeed before creation, God lived in perfect love, peace, joy, and relationship. The Father, the Son, and the Spirit were one yet three. Were God only one—were He a mono-personal being—there would be no tension in eternity past, let alone in the perfect world to come.

However, as we know, God is not such a being. While we can, without reservation, affirm the “oneness” of God’s essence, we can also, without reservation, affirm the various personalities of the Trinity. This tension—between Father, Son, and Spirit—is irresolvable. It is the governing reality of the cosmos. Of course, this reality is why we can say that love is eternal. There has always been “love,” a “lover,” and a “beloved.” However, this is also why Christians can say beauty is eternal. Before the creation of the world, God was not stagnant. He was in a complex and textured relationship with His Trinitarian Self.  Tension is eternal, in other words, because of the eternality of the Trinity.

As Trinitarians, Skeel argues, we can heartily acknowledge that there are more tensions in the world than those between “good” and “bad.” As a result, when we look at a truly beautiful painting, we appreciate the tension; not only between right and wrong, but also between colors, shades, fabrics, etc. These tensions—those which exist apart from sin—allude to the complexity found in the Godhead. Perhaps this is why a given piece of art can have such a transcendent effect on the viewer. In viewing beauty—as with experiencing love—the viewer is coming in contact with something that lacks a beginning and an end. At its best, this is what art does. Art makes us worship—not the object, but the reality which lies beyond the object, the Triune God of the universe.

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By In Culture, Family and Children, Theology, Worship

Thomas Chalmers and the Recovery of the Parish

Chalmers 09 Sepia

By guest contributor, Dr. George Grant.

The great Scottish pastor, social reformer, educator, author, and scientist Thomas Chalmers was born on March 17, 1780 at Anstruther on the Fife coast. His father was a prosperous businessman in the town and Thomas grew up as the sixth in a large family of fourteen children—he had eight brothers and five sisters.

Showing early signs of prodigy, at the age of three, he went to the local parish school to learn the classical trivium of grammar, logic, and rhetoric in English, Latin, Greek, and Hebrew. His parents were people of strong Calvinist conviction and keen that their family should grow up to bear witness to a lively and relevant Christianity. Piety and intellectual rigor marked their daily lives.

Before he was twelve, he had sufficiently mastered language, literary, and philosophical skills that he was recommended to advance his studies at the University of St Andrews. His brother, William, who was just thirteen, accompanied him. At the time, Thomas was the second-youngest student at St Andrews and widely recognized as a student with extraordinary promise. Although a great part of his time in the first two sessions at the university were apparently occupied in boyish amusements, such as golf, soccer, and hand-ball—in which he was remarkably expert, owing to his being left-handed—he had already begun to demonstrate the great intellectual power which was to be one of his chief characteristics throughout adult life. For mathematics he developed special enthusiasm and to its study he gave himself with great energy and dedication. Ethics and politics were also themes of special interest to him as he sought to integrate his life and faith with the evident woes of the world around him.

In 1795, now fifteen years-old, he sensed a call into the ministry—though as yet still quite immature in his faith—and so he was enrolled as a student of Divinity. That session, he actually studied very little theology because having recently taught himself sufficient French to use the language for study, he pursued his researches into theoretical mathematics with renewed vigor. Nevertheless, towards the end of the session he was deeply stirred by the power of the writings of Jonathan Edwards and came to an intellectual grasp of the magnificence of the Godhead and of the providential subordination of all things to His one sovereign purpose.

During these years another part of his great talent began to come into prominence. On entry to the University his expressive proficiency in English grammar and rhetoric was at best immature, but after two years of study, there was a perceptible change. The gifts of powerful, intense and sustained expression revealed themselves with freedom, spontaneity and beauty. Student Debating Societies, class discourses, and daily prayers in the University were all enriched by his tasteful, capable and eloquent participation.

By 1798, having just reached the age of eighteen, he had completed his course of studies at the University of St Andrews. The foundations were laid for his future development. As his biographer Hanna would later assert, “The intensity of his nature, the redundant energy that hardly knew fatigue, the largeness of his view, the warmth of his affection, the independence of his judgement, and the gushing impetuosity of his style, were already manifest from these college days.”

In July 1799, he was licensed to preach after a special dispensation exempted him from the qualifying condition of having reached the age of twenty-one. At the same time, he became a teaching assistant at the University of Edinburgh in the widely varied disciplines of Mathematics, Chemistry, Natural and Moral Philosophy and Political Economy.

During the winter of 1801, he was offered a post as Assistant in the Mathematics Department at St Andrews as well as the pastorate of the small parish church in Kilmany. And thus began his remarkable dual career as an ecclesiastic and an academic. Over the next forty-four years Thomas Chalmers gave himself to public service. Twenty of these years were spent in three parishes: first at Kilmany and then later at, the Tron Church and St John’s Church, both in Glasgow. The remaining twenty-four years were spent as a professor in three different chairs, Moral Philosophy in St Andrews, Professor of Divinity in Edinburgh, and Principal and Professor of Divinity in the Free Church Theological Institution, Edinburgh, later known as New College. Often, he served both church and university simultaneously, evoking the wonder of the entire world.

As a teacher, he aroused the enthusiasm of his students. One of them later commented, “Under his extraordinary management, the study of Mathematics was felt to be hardly less a play of the fancy than a labor of the intellect—the lessons of the day being continually interspersed with applications and illustrations of the most lively nature, so that he secured in a singular manner the confidence and attachment of his pupils.” Likewise, his parishioners found his sermons to be both erudite and winsome, aimed at both orthodoxy and orthopraxy. His reputation was soon spread throughout Scotland.

The years of work given to parish ministry were extremely significant in the life of Thomas Chalmers. The mental capacity that he had shown in academic pursuits and his youthful strength of spirit were now brought to the test of service to rural and urban communities at a time of extremely significant social change, and the ever transforming power of the Gospel was to prove itself in and through his life and service.

Family bereavements brought Chalmers to reflect more seriously about a dimension of life which, on his own confession, he had not fully considered. His brother, George, three years older, and his sister, Barbara, some five years older, both died within the space of two years. George had been the captain of a merchant ship, but succumbed to tuberculosis and returned home at the age of twenty-nine to die. He awaited the end calmly, his trust resting firmly in Christ. Each evening he had read to him one of John Newton’s sermons and obviously derived especial comfort therein. His quiet and assured faith challenged his younger brother. Barbara, likewise, suffering the same disease, showed great fortitude and confidence in the face of death. The nature of these circumstances brought him to question his previous conceptions.

After Barbara’s death, Thomas, who had been commissioned to write several articles for the Encyclopaedia Britannica on mathematical subjects, wrote to the editor and asked that the article on Christianity should also be allocated to him. Before finishing the article and just after he had made his maiden speech in the General Assembly of 1809, he himself fell gravely ill. Ill-health dogged him for months—at one point being so severe that his family despaired of his very life. The combination of his illness and the loss of his siblings signaled a profound change in his life. He wrote to a friend, “My confinement has fixed on my heart a very strong impression of the insignificance of time—an impression which I trust will not abandon me though I again reach the heyday of health and vigor. This should be the first step to another impression still more salutary—the magnitude of eternity. Strip human life of its connection with a higher scene of existence and it is the illusion of an instant, an unmeaning farce, a series of visions and projects, and convulsive efforts, which terminate in nothing. I have been reading Pascal’s Thoughts on Religion: you know his history—a man of the richest endowments, and whose youth was signalized by his profound and original speculations in mathematical science, but who could stop short in the brilliant career of discovery, who could resign all the splendors of literary reputation, who could renounce without a sigh all the distinctions which are conferred upon genius, and resolve to devote every talent and every hour to the defense and illustration of the Gospel. This, my dear sir, is superior to all Greek and Roman fame.”

Yet another influence on his spiritual development at this time was the reading of William Wilberforce’s Practical View of Christianity. Again, he wrote, “The deep views he gives of the depravity of our nature, of our need of an atonement, of the great doctrine of acceptance through that atonement, of the sanctifying influence of the Spirit—these all have given a new aspect to my faith.”

Chalmers now had his priorities set in order before him. He gladly recognized God’s claim to rule the affections of his heart and command his life’s obedience. The remainder of his ministry in Kilmany was profoundly affected by the experience of a vital Christian walk. His preaching had new life and concern, proclaiming what he had formerly disclaimed. His pastoral visitation and his instruction in the homes of his parish showed greater ardor than ever before. From outside the region many came to hear the Word, and heard it gladly. There were innumerable converts to this living Christianity.

Chalmers became an earnest student of the Scriptures and also set aside one day each month when, before God, he reviewed his service to Him and sought, with confession and thanksgiving, the blessing of God on his work and on the people entrusted to his pastoral care. These years were also those of the Napoleonic Wars and Chalmers joined the volunteers, holding commissions as a chaplain and lieutenant, though he was never deployed on the continent.

He completely abandoned himself to the covenantal community there at Kilmany. He married and had his first children there. He established a classical school at the heart of the parish. He set about a reform of the ministry to the poor, the widows, and the orphans. He established a pioneer missionary society and a Bible society. In addition, Chalmers began his prodigious and prolific publishing career.

It was inevitable that a man of such gifts would not long be underutilized in the small environs of the Fife seacoast. In July 1815, when news of the victory at Waterloo was scarcely a month old, he preached the last sermon of his twelve-year ministry in Kilmany. His final exhortation was: “Choose Him, then, my brethren. Choose Him as the Captain of your salvation. Let him enter into your hearts by faith, and let Him dwell continually there. Cultivate a daily intercourse and a growing acquaintance with Him. O you are in safe company, indeed, when your fellowship is with Him.”

Thomas Chalmers went to Glasgow at the invitation of the Magistrates and Town Council of Glasgow. He served first in the Tron Church until 1819, and then, by the election of the Town Council, he was transferred to the newly-created parish of St John’s, a poorer parish with a very high proportion of factory a workers, a parish in which he had the freedom to develop the ideas which he had long been maturing.

In the later years at Kilmany, Chalmers had made conscience of his work as a parish minister and had come to know the problems of working a rural parish. Now with his newly expanded duties in Glasgow, he came to grips with the difficulties of work in a city parish and applied his intelligence and strength to new problems.

From the beginning of his ministry in the city his preaching was fully appreciated, and many attended from throughout Glasgow, but Chalmers was concerned that his ministry should first and foremost be to the parish—where some eleven or twelve-thousand people lived and worked. He commenced a program of visitation from house to house which took two years to complete. He organized the eldership to co-operate in this task and developed Sabbath evening schools. Commencing with thirteen children, the schools grew until within two years they had twelve hundred children under instruction. His awareness of the situation of the people gave him an acute understanding of the problems of illiteracy and poverty in the parish and he could not rest until he had found some means of remedying these. His interest in the working-man furthered his reflections on the economic situation; his interest in the sciences led to the Astronomical Discourses, a series of Thursday afternoon sermons delivered once every two months during 1816. Many businessmen and others left their place of work to hear these and during 1817 nine editions of some 20,000 copies were published.

In 1816, the University of Glasgow unanimously conferred on him the degree of Doctor of Divinity. The Lord High Commissioner at the General Assembly in the same year invited him to preach in Edinburgh at the time of the Assembly. Hard work and new-found fame were joined in the experience of Chalmers, but he was dissatisfied.

He was convinced that the Christian church had as yet unfulfilled responsibilities to all those who lived and worked in the local parish, not merely to those who attended the local place of worship. In the development of Sabbath School work Chalmers discovered that many children had great difficulty in reading. He resolved to remedy the defect by setting up classical schools throughout the parish—especially for the poor and neglected. Provision for the needs of the poor was also made, not from the poor-rate levy, but from funds administered by the church of the parish through its deacons who were given special training for this work. Relatives of the needy were encouraged to assume responsibility and the government’s poor relief costs for the parish were reduced by more than eighty per cent within three years. And as if all this were not enough, by correspondence he maintained a ministry with many others beyond the bounds of Glasgow, writing on average some fifty letters a week—and they were for the most part, letters of great substance.

The years of his ministry in Glasgow were very significant. There was no class of persons untouched by his labors. Before his time many had fallen away from all Christian belief and observance, but under his ministry public sentiment turned decisively to evangelical liveliness. By his labors living faith in Christ was restored and many men and women throughout the city gave themselves for Christian service.

When he was invited to return to his former University, St Andrews, as Professor of Moral Philosophy, he accepted because he saw it as a position of wider usefulness and also because he felt that the pressure of life in Glasgow which had progressively increased was making excessive demands on him. But his concerns for the urban parishes remained undiminished. His interest for instance, in dealing with the problem of poverty led to an invitation to London by the Parliamentary Committee on the Irish Poor Law. In 1840 he gave a paper at the British Association for the Advancement of Science recommending the system of voluntary assistance to the poor. He was well informed on the major public issues of his day—Roman Catholic Emancipation, the Reform Bill and the Corn Laws and his opinion was valued by great and small alike on all of these problems. In 1832 the Bishop of London recommended the President of the Royal Society to invite Dr Chalmers to prepare a treatise in proof of the wisdom and benevolence of God shown in the works of creation. It was published in the following year with funds from the legacy of the Earl of Bridgewater and was known as the Bridgewater Treatise.

Amongst the honors that had come his way in the same year was his election as Moderator of the General Assembly of the Church of Scotland. He had previously formed part of a delegation on William IV’s accession in 1830 and had been named as one of His Majesty’s Chaplains in Scotland. He was later to present a loyal address on behalf of the University of Edinburgh to Queen Victoria on her accession in 1837. In January 1834, Dr Chalmers was elected a Fellow of the Royal Society of Edinburgh and the following year became one of its Vice-Presidents. The Royal Institute of France honored him with the title of corresponding member and four years later, in 1838, he visited France and read a lecture on the “Distinction both in principle and effect between a legal charity for the relief of indigence and a legal charity for the relief of disease.” His many books and sermons were invariably best-sellers for years on end.

Thus, his reputation was well-established, his contribution to the life of Scotland, England and Ireland fully recognized, and his fame spread around the world when he found himself not only involved in, but leading, a movement that was to divide the Church of Scotland, and to set him in apparent disregard of the authority of the highest civil court in the land.

With the disappearance of the Roman Catholic Church in Scotland as a spiritual force in the sixteenth century, the Presbyterian Church had assumed the right to be the Church of Scotland. Its struggle for spiritual independence had been a long and costly one under the leadership of John Knox, Andrew Melville and Alexander Henderson amongst others. At long last, in 1690, the Presbyterian Church was legally recognized by the crown as the established Church of Scotland, but in this recognition by the state there was no question of the church surrendering any aspect of its independence. It was free to follow the guidance of the Divine Head in every aspect in which He had expressed His will.

Patronage, or the right of landowners to bring to a parish a minister who might or might not be acceptable to the elders and members of it, had been brought in by Act of Parliament in 1712. But in 1838, in two cases in particular, those of Auchterarder and Marnoch, ministers were forced on congregations opposed to their settlement and the Court of Session and the House of Lords ratified these decisions. Many in the church were seriously perturbed.

There were other areas of concern as well. It was decided that the Church did not have the power to organize new parishes nor give the ministers there the status of clergy of the Church. She had no authority to receive again clergy who had left it. And perhaps worst of all a creeping liberal formalism was slowly smothering the evangelical zeal of the whole land. Alas, despite repeated requests, the Government refused to take action to deal with the threat of spiritual atrophy. After a ten year long struggle to regain the soul of the church, the evangelical wing, led by Chalmers and others laid a protest on the table of the Assembly some four hundred ministers and a like number of elders left the established Church of Scotland on May 18, 1843, to form the Free Church.

When the General Assembly of the Free Church was constituted that grave morning, Thomas Chalmers was called to be its Moderator. He was the man whose reputation in the Christian world was the highest; he was also the man whose influence in directing the events leading to what would eventually be called the Disruption had been greatest.

The ministers who left the Established Church with Chalmers that day sacrificed much. In the personal sphere their houses and financial security were set aside, their work had to be reorganized and new centers for preaching found. Chalmers, in this respect, also suffered loss. He was no longer Professor of Divinity at the University of Edinburgh and the influence and prestige of that position went to another. But the Church realized that, without continued pastoral training, its future was bleak. A center for theological study, the Free Church Theological Institute, was opened and Chalmers was appointed Principal and Professor of Divinity.

A few years before, when Chalmers had completed his sixtieth year, he looked forward to a “sabbatical decennium,” a seventh decade of life that would be spent as “the Sabbath of our earthly pilgrimage—as if on the shore of the eternal world.” The years before 1843 had brought him little of the rest and peace that he hoped for and, of course, after the Disruption, he had even more to do.

His lectures continued, but there was also the concern of finding a site and constructing a building to house the New College. In 1846, after much personal sacrifice and intense labor, Chalmers laid the foundation-stone of the new building. “We leave to others the passions and politics of this world, and nothing will ever be taught, I trust, in any of our halls which shall have the remotest tendency to disturb the existing order of things, or to confound the ranks and distinctions which at present obtain in society. But there is one equality between man and man which will strenuously be taught—the essential equality of human souls; and that in the high count and reckoning of eternity, the soul of the poorest of nature’s children, the raggedest boy that runs along the pavement, is of like estimation in the eyes of heaven with that of the greatest and noblest of our land.”

The means for supporting the ministers of the church following the Disruption had to be found and Chalmers dedicated much of his time and energy to the setting up of a Sustentation Fund. By the end of 1844 it was clear that the cost of maintaining spiritual independence would involve foregoing any financial assistance given by the State. It was under his leadership that this problem was confronted and resolved. In addition, new sites for some 700 churches and manses had to be found for the congregations that were formed, and there were difficulties with several landowners in getting sites. In many cases Chalmers was able to give assistance through his personal influence. His own home in Morningside was used as a place of worship for years afterward.

All this effort was not dedicated simply to perpetuating an idea, for Chalmers had a vision of Scotland in which all her people from those of highest to those of lowest rank would know and love the Lord Jesus Christ. Perhaps the dearest example of the outworking of this vision is seen in the West Port experiment in Edinburgh, “a fourth part of the whole population being pauper and another fourth street beggars, thieves and prostitutes.” The population amounted to upwards of 400 families of whom 300 had no connection with the Church. Of 411 children of school age, 290 were growing up without any education. The plan of Chalmers was to divide the whole territory into twenty districts each containing about twenty families. To each district a discipler was appointed whose duty was to visit each family once a week. A school was provided. By the end of 1845, 250 scholars had attended the school. A library, a savings bank, a wash-house and an industrial school had been provided, and there was a congregation served by a missionary-minister. Chalmers often attended the services there and would take part as a worshipper alongside the people of the district.

Thomas Carlyle said of him “What a wonderful old man Chalmers is. Or rather, he has all the buoyancy of youth. When so many of us are wringing our hands in hopeless despair over the vileness and wretchedness of the large towns, there goes the old man, shovel in hand, down into the dirtiest puddles of the West Port of Edinburgh, cleans them out, and fills the sewers with living waters. It is a beautiful sight.”

At the end of the College Session in 1847 Chalmers, by now exhausted in his ceaseless labors, went to London on the business of the Church. He returned to his home in Morningside to prepare for the General Assembly on the following Monday. It was after family worship on Sunday evening May 30 that he said goodnight. He went to sleep in Morningside, but he awoke in Heaven.

The funeral was held on the following Friday, June 4. The Magistrates and Town Council, the members of Assembly, the Professors of New College, ministers, probationers, students, the Rector and Masters of the High School and many thousands more joined the funeral procession, paying their tribute, as they followed the cortege to Grange Cemetery. According to Carlyle, “There was a moral sublimity in the spectacle. It spoke more emphatically than by words of the dignity of intrinsic excellence, and of the height to which a true man may attain. It was the dust of a Presbyterian minister which the coffin contained, and yet they were burying him amid the tears of a nation, and with more than kingly honors.”

 

George Grant is the author of more than five dozen books, serves as pastor of Parish Presbyterian Church, and is the founder of King’s Meadow Study Center, the Chalmers Fund, New College Franklin, the Comenius School, and Franklin Classical School. This post originally appeared on his blog, Grantian Florilegium.

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By In Culture

When Jesus Saved a Cutter…

Jesus and Cutting

Then they came to the other side of the sea, to the country of the Gadarenes. And when He had come out of the boat, immediately there met Him out of the tombs a man with an unclean spirit, who had his dwelling among the tombs; and no one could bind him not even with chains, because he had often been bound with shackles and chains. And the chains had been pulled apart by him, and the shackles broken in pieces; neither could anyone tame him. And always, night and day, he was in the mountains and in the tombs, crying out and cutting himself with stones.

When he saw Jesus from afar, he ran and worshiped Him. And he cried out with a loud voice and said, “What have I to do with You, Jesus, Son of the Most High God? I implore You by God that You do not torment me.”

For He said to him, “Come out of the man, unclean spirit!”  Then He asked him, “What is your name?”

 – Gospel of St. Mark 5:1-9

The Cutter: Naked, Alone, and Near Death

We are given an account of a man who is thought to be mad. The Scriptures describe him as a man with “an unclean spirit” and that he was amongst the tombs, crying out, and cutting himself. Rev. Richard Bledsoe, a Presbyterian Minister from Boulder, Colorado, takes this account of Jesus to speak to the representative nature of our sin. “All of life is representative, we all represent other people. A father represents his family, a king represents his Kingdom, we even call one of our branches of government, ‘The House of Representatives.’ All of life is representative.”

Bledsoe posits that this man has become representative of his village. “He has taken everything that is dark and horrible about that village, and it has all been placed on him. The reason he is naked is because everyone since the fall is naked and ashamed, and all of our attempts to clothe ourselves are nothing but fig leaves. We live with nakedness and shame, and the Gadarene madman has taken the nakedness and the shame from the entire community upon himself. Jesus was crucified naked, he didn’t have a nice robe around his private parts, he was naked. Because he bore the shame of the whole world. We are told he lives among the tombs. Life isn’t just symbolic or literal, it is both at once. He is literally living amongst the tombs, but the actual meaning of it is, that he is already dead. He has suffered death for everyone else in the community.”

“Finally we are told that he cut himself with stones. Today, cutting is a big deal in the adolescent world. Why do we cut? The Greek word is autolapsis – what that translates to is that he, “stones himself.” He is actually executing himself. The whole of the pagan world was taken up with ritual executions. You throw someone off a cliff, you would stone them, etc. This man ritually executes himself, day and night he cuts himself with stones. That is what cutting is: a ritual form of self-execution, at least at some level.”

Cutting in our Culture

#DONE! is a micro film written by Rebecca Withey for Project Semicolon, a faith-based movement dedicated to presenting hope and love to those who struggle with depression, self-injury, and suicide. In the microfilm, Withey reintroduces this gospel narrative in a modern context.

Watch it here:

Jesus offers a Solution to “Cutting”

Bledsoe describes our connection to self-harm as a struggle against change. “Our lives may be miserable and wretched, but at least it’s my life and I am familiar with it. I really don’t want anything to change. Even if it is a thousand demons inside of us.”

“Jesus turns to the man, this man is a thing to the community – he is an object, not a person. He has been entirely depersonalized. This may be the first personal act that has happened in this man’s life in 25 years. Jesus turns to the man and says, ‘What is your name?’

“You can imagine the piercing eyes of Jesus looking in. The man answers, ‘My name is legion for we are many’ and then he begs Jesus, ‘Don’t send them out of the country.’ To the man, at least they are my demons, they are my companions, however horrible they are, they are my friends. He is actually begging Jesus to not change anything.”

“But Jesus, in his mercy, ignores the request, Jesus mercifully doesn’t answer a lot of our prayers, because they are not good prayers.”

A thousand demons hurt, cutting hurts, but with them – things stay can the same. Jesus comes and changes everything, but he starts with changing you. Cutting says, “I am not important.” Jesus asks, “What is your name?” Jesus, the King and creator of the universe, takes an interest in our identity. As Jesus looks into the face of the cutter, he sees his own image. Through cutting we make this image unrecognizable, yet Jesus comes down to us and is ready to remake us in His own image by giving us His own name.

What the Swine represent: 2,000 pigs and 2,000 people

“Jesus sends the demons into the pigs and the pigs will become the mirror image of the village. They represent the people. The pigs are driven mad by the presence of the demons, they rush at once off this cliff. They fall off and into the abyss as they have been sent back to hell.”

“It is only Jesus Christ who can not just displace a demon with another or manipulate them, but actually banish them with great authority. And this is what transpires at this point, they are drowned into the sea… Many now go back to the community and they tell them what happened and they are awestruck. They come out and they see the man. The next statement is the most astonishing.”

“They were afraid and they began to plead with him to depart from their region. They want Jesus to leave. Jesus has not just wrecked a portion of the economy, he has also wrecked the whole social structure of this community. The demon possessed man has been holding this community together by taking all of their demons on to him. He was the one who actually gave cohesion and stability to the community. What if he is gone, How on earth are we going to go on? The community cannot cohere without him. The whole community collapses and falls apart.”

“Finally, you see – this now demon-free man comes to Jesus, ‘Can I go with you?’

“But Jesus says no. He tells him to go back and to tell his story and that this is actually part of his reintegration into society.”

Bledsoe’s Point

“The whole of the western world is very much in the position of this community. Jesus has annihilated the cohesion and stability and the ability to relate in the whole western world. The presence of Jesus has undone all of the ancient world’s ways of relating. It is the Gospel that undid this.”

“We are neurotic, isolated, alone, we do not know how to do marriage, how to have family life, or how to have community because of Jesus Christ.”

“Take two people and what holds them together? They gossip about a third person. Take the third person away, and they don’t know how to relate. That is a small picture of what has happened in the western world.”

Jesus has a plan for this generation of hurting and isolated people. His solution is a new identity based on his death and not on our situation. He asks, “What is your name?” and our story, our identity, begins anew in Him.

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By In Culture, Theology

Preach Good Works

The struggle between good works and justification by faith alone has roots that go deep into the history of the Church. One of the key debates in the Protestant Reformation was works and the role they play in the salvation of a man. In modern times, the lordship salvation debate between John MacArthur and some others in the 1990’s was really a debate about the nature and necessity of works in the Christian life. Numerous Scriptures were used throughout the debates both in the Reformation and in the modern quarrels. James 2:14-24 was beaten to death during the lordship salvation debates. Christ calling His people to obedience throughout the Gospels was also scrutinized by scholarly eyes. Paul’s letters to Rome, Corinth and Galatia were used on both sides of the argument.

One of Paul’s lesser known letters gives us some perspective on the issue of good works in the life of the Christian. In particular, I want to briefly address the reformed tendency to avoid any mention of good works from the pulpit for fear of being misunderstood.

Titus was written by St. Paul late in his life, probably between 62-64 A.D. The recipient, a Gentile Christian probably converted by Paul, was left in Crete to finish the work Paul had started there. It is not the most famous New Testament book. It is short and probably preferred by ministers for its pastoral content. You will rarely find it listed in someone’s “favorite books of the Bible” section. Despite its relative obscurity, it has numerous practical exhortations that are worth looking at.

In a recent reading of Titus I found the issue of good works being brought to my attention. Paul’s advice to Titus is particularly important because Titus was a pastor. What was Paul’s exhortation to this pastor on the island of Crete? Did he tell Titus to be very careful about mentioning good works? Did he imply that pressing good works upon the flock will make them legalists, who are earning their way to heaven? Did he only mention works in the context of our free salvation? Let’s see what was Paul’s admonition to this pastor.

There are seven uses of the Greek word, ergon, in Titus. Normally ergon is translated as work or deed. Here are the seven uses. I am using the New King James Version text.

1:16 They profess to know God, but in works they deny Him, being abominable, disobedient, and disqualified for every good work.

2:6-7 Likewise, exhort the young men to be sober-minded, (7) in all things showing yourself to be a pattern of good works; in doctrine showing integrity, reverence, incorruptibility,

2:14 who gave Himself for us, that He might redeem us from every lawless deed and purify for Himself His own special people, zealous for good works.

3:4-5 But when the kindness and the love of God our Savior toward man appeared, (5) not by works of righteousness which we have done, but according to His mercy He saved us, through the washing of regeneration and renewing of the Holy Spirit,

3:8 This is a faithful saying, and these things I want you to affirm constantly, that those who have believed in God should be careful to maintain good works. These things are good and profitable to men.

3:14 And let our people also learn to maintain good works, to meet urgent needs, that they may not be unfruitful.

The verses that are most familiar to me, and probably to you as well, are the magnificent encapsulation of the Gospel found in Titus 3:4-5. These verses show that works are not the basis for our salvation. It is only because God is merciful and kind that we are redeemed. Works are left out of this equation entirely. Most Protestants are comfortable with these verses.

It is the remaining verses that make us uneasy. Paul is vocal, almost pushy, in exhorting Titus to preach good works to his people. Look at the language Paul uses, “a pattern of good works…zealous for good works…maintain good works…maintain good works.” Note especially 3:8. Paul wants Titus to constantly affirm (or ESV insist on these things)  that those who believe in God should maintain (ESV devote themselves to) good works. For Paul good works are not a sign of legalism. Good works are the necessary fruit of a Christian life. They are absolutely essential. Pastors everywhere are to exhort their people to good works. I know of many pastors, especially reformed ones, who are afraid to use this type of language. They fear that they will be misunderstood. They fear that they will be accused of being legalistic or preaching works righteousness instead of justification by faith alone. But if we are going to preach Titus 3:4-5 we must also preach Titus 3:8 and 14. Paul did not shrink back from telling his people and his pastors to make good works a priority. A man who wants a ministry like Paul’s must not shrink back from that duty either.

Legalism in our preaching must be avoided. However, an issue of equal importance, if not greater, in the modern evangelical church is the failure to be holy, the failure to be zealous for good works. An effective minister will know which way the cultural wind is blowing and fight against it. In our age the danger is not just those who create new laws, like the Pharisees, but also those who reject obedience to God’s Word.  A faithful minister will cut down this folly by preaching good works, exactly like Paul told Titus to.

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By In Culture

A Short Eulogy for Spock – Leonard Nimoy (1931-2015)

On February 27, 2015 at the age of 83, Leonard Nimoy died in his Bel Air home.

In his memory, the next three sections will serve to honor his legacy, comfort his friends, and to draw from Nimoy’s life the glory of our Lord.

Leonard Nimoy Eulogy Mr. Spock Star Trek

The Legacy of Leonard Nimoy (1931-2015)

Most notably, we remember Nimoy for his character Mr. Spock from the television series, “Star Trek” and for the phrase, “Live long and prosper” with its equally notable hand gesture. A gesture that pointed back to his roots as a Ukrainian Jew. His childhood in the synagogue had imprinted upon him the priestly blessing of Numbers that would become his famous Vulcan salutation. As a cultural icon and phenomenon, Spock’s influence on Star Trek has been a noted force against anti-Semitism and Nimoy’s success further evidences the potential for immigrants to define American culture. For people of faith, he demonstrated that ancient truths would continue to be relevant to the future to come and despite our advances in technology. Spock’s character remains a testimony that the traditional and intellectual were concepts to be paired together.

For his Family and Friends

Our faith teaches us to pray for Nimoy like this, “Grant rest, O Lord, to Thy servant Leonard.” In his eternal memory, join me in that short prayer. While most of us did not personally know Leonard Nimoy or even have to the opportunity to meet him, there is in his public work a friendship with his personality. Thus we mourn over his death and as St. Paul instructs us, “weep with them who weep.” As we reminisce upon our fondest memories of the half-Vulcan as death has now gripped him, may we be comforted by his long and prosperous life. We can find comfort in knowing that his persona has been indelibly preserved on our memories and on digital media, and because of this, he will never really be gone.

A few days before his death, Nimoy shared this on his Twitter: “A life is like a garden. Perfect moments can be had, but not preserved, except in memory. LLAP”

To Boldly Go…

Like Nimoy’s life, the Star Trek series is rife with allusions and pictures of love and redemption. Each episode began with an opening narration that spoke of the mission of the USS Enterprise to, “boldly go where no man has gone before.” As a Christian, I cannot help but think upon this mission and see it in that of Christ’s incarnation.

As we come together this day to mourn, we see our own mortality, we understand that it is appointed once for all men to die. Over the next few weeks, there will be those murmuring about Nimoy’s eternal state and others pointing to his smoking and other habits in relation to his death, don’t join them. Instead think upon our own condition and how our High Priest so greatly condescended to be with us. Christ boldly took on human flesh and was born from the virgin Mary so as to live and dwell among the people He loved. Through his fleshly incarnation he is able to sympathize with our condition and testifies to the pain of death.

In the Gospels, we see Jesus weep over the death of his friend Lazarus. Even today, I expect that Jesus joins us in weeping over Leonard’s death. Yet, through the pain of death we are afforded the oppurtunity to express our love for one another as we mourn together. In weeping, we imitate Christ who sympathized with man to the point of his own death, where he was offered up as the solution to the sting of mortality. Through the crucifixion, death itself loses all power over us. The blood that poured down from a jew upon a roman cross represents Christ’s pity for our human condition. By suffering a human death, he shows us how He can share in all our sorrows.

Imagine with me the raised hands of Christ, palms forward and fingers separated in a Vulcan salute for the world.  Now see him as soldiers drive nails through those same hands. Now imagine after his anguish and death, Christ boldly going where no man has gone before: to death and back. In the resurrection, Christ again salutes his disciples and with outstretch arms, “Put your finger here, and see my hands… Do not disbelieve, but believe.”

Leonard Nemoy Eulogy Mr. Spock Star Trek

For our friend Leonard, Eternal rest grant unto him, O Lord; and let perpetual light shine upon him. May he rest in peace. Amen.

Please feel free to leave your own prayers for Leonard in the comments below.

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By In Culture

How the Julie Andrews Oscar Tribute Identified the Biggest Problem with “Christian” Movies

Lady Gaga Tribute to Julie Andrews & “The Sound of Music”

 

In likely one of her most beautiful and memorable performances, pop-star Lady Gaga revisited the 1965 Classic, “The Sound of Music” with an outstanding tribute to Julie Andrews and her musical contributions to the film.

Lady Gaga Tribute to Julie Andrews & “The Sound of Music”

It is worth noting that Gaga is not known for being a ‘lady’ and a great deal of her notoriety is based upon some of the most un-lady-like behavior. Yet here, Lady Gaga offers an elegant and skillful performance that may exceed the artist whom she was paying tribute to. There is nothing in Gaga’s Billboard hit collection that would suggest that she was capable of such a performance and her peculiar stage personality has been eclipsed by the beauty of the original music. Despite a five decade span between the theatrical release and now, this performance refused to enjoin the modern progress of musical artistry.

Can we think of many styles from 1965 that would enjoy such a powerful reception? How is it possible that the “Sound of Music” can remain ‘good art’ even today without adapting to the changing ethos of American artistic expression?

Julie Andrews on Great Music

Following Lady Gaga’s performance she was joined on stage by the original Maria. Julie Andrews thanked Gaga for her beautiful tribute and gave the most eloquent and poignant remarks of the entire night. In her short speech, I believe that Andrews also identified the fundamental problem plaguing a Christian view of the arts.

“Great music does more than enhance a film,” says Andrews “it cements our memories in the film-going experience. I mean, imagine the “Godfather” without its iconic theme… or the wondrous themes in the music of John Williams in “Star Wars.”

http://youtu.be/a7Iy6I3dnNs

The Imagination and Christian Movies

675116-a9f9182e-a8c8-11e4-b4a3-9d4f296075c1I would posit that while classics like the, “Sound of Music” will be respected as time-tested art, much of the Christian material today will be remembered as well as Julie Andrew’s contemporaries like the Brady Bunch. Our dated, irrelevant, and artistically flat modern “chick tract” style Christian movies are destined for the same shelf as the story of a lovely lady and her family in a nine-frame box.

As Christians, we are called to embrace the majesty of God’s creation in its fullness and to use the arts in our attempt to express what is truly great and beautiful. All of art, and especially the cinema for our age, is a call to experience the pleasure of Christ’s goodness and to stretch and renew our mind’s imagination. Art in this sense is not merely an extra, but essential to what it means to give glory to God.

I want to see a generation of filmmakers less concerned about how actors dress, and passionate about how a film’s score is as powerful a testimony of the greatness of God as the script.

As Martin Luther said, “I feel strongly that all the arts, and particularly music, should be placed in the service of Him who has created and given them.”

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By In Culture

Poetry and Potency

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Discourse on Intercourse

The poem is an exercise of animation. A poem is the vivification of words and through laying one word against another, each line upon line, a new idea is given flesh. Poetry is the elevation of mere words to glorified speech. The same words used to fill the instructions for operating a microwave oven are rearranged in a unique Sutra that has the power to penetrate the human pysche and be born anew. Allegorically, poetry serves its purpose in preserving the humanness of speech in discourse. In poetry, words preserve the humanness of speech through intercourse. The most glorious poetry bears new fruit each time the reader sits down to read it.

Literary Intimacy

I am tempted to compare poetry to sex for two reasons; the first is because it is how we receive poetry from God. Whether it is looking toward the Song of Solomon, the Psalms of David, or the poetry that Christ himself would use to compare himself to His beautiful bride, God uses poetry to properly express both a sexual and erotic love. Secondly, I believe that poetry naturally demands virility. As XJ Kennedy points out, “poetry appeals to the mind and arouses feelings,” and demands intimacy beyond any other form of literature. Poetry demands potency.

Many theologians have pointed out that the Song of Solomon is an allegory to the love that God has for humankind, that He chooses sexuality in the marital relationship as the expression of His love. At the same time and significantly, He uses the form of poetry to express this love. Even the language used for the Holy Sacrament of His Body and Blood are described as Holy Communion because they represent the most intimate relationship between two people. In marriage and communion, two become one.

Passion, Prose & Poems

Here we have passion coupled with prose, sex coupled with poem – manliness tied to the form of literature in a way that our modern culture would find foreign. Although the virility of a man is tied to the nature of a poem. For any that consent to be swooned, the poem can ravish them in ways that other words, other pictures, other gestures, will always fail. The poem penetrates our inner being and each interaction with that set of lines brings us closer to their author and yearning to drawn more from our interaction. Our intimacy is intensified with slower, labored readings and subsequent encounters increase our growing appetites.

Virility finds purpose in creation or rather procreation as the idea bears new ideas. The seeds of thought are spoken into newness born, carried, and delivered through love. The potency of masculinity is revealed as the giver finds an ear for his gift. Poetry and reader are complementary like husband and wife: the two interlock in the only way to create new life. Love and intimacy grow in the same way in marriage and poetry, so that the one is no longer room enough to contain it. The two that became one burst like old wineskins and create again. This is poetry.<> ы интернет магазинов

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By In Culture

The Swimsuit Issue and the Failure of Egalitarianism

I read SI.com (Sports Illustrated for the uninitiated) most of the year. During the NFL season Peter King’s Monday Morning Quarterback is one of my favorite reads. However, every February I have to avoid the site for a few days. When they roll out their annual swimsuit issue, scantily clad women are everywhere.  Here are some facts about the SI Swimsuit Issue.

-In 2005, the latest date I could find figures for, this issue generated 35 million dollars in ad revenue. Secondary products, such as calendars, generate another 10 million dollars in revenue.

-This single issue makes up 7% of the SI’s total annual revenue.

-All advertisers, including those who make the swimsuits and jewelry that the women wear, see substantial increase in sales.

-Tourism spikes in the locations where the models get photographed .

-The Swimsuit Issue sells over 1 million copies on newsstands, which is 10 to 15 times the average sales of an SI issue. There are also over 3 million SI subscribers. Last year they launched a Swimsuit Issue website where millions more folks read it.

-It is the single best selling issue in Time Inc.’s magazine franchise, which includes well known magazines, such Time, People, Entertainment Weekly, and lesser known gems like Rugby World.

-Cover models and many of those within the magazine become famous, go on to promote numerous other products, and become rich.

The Swimsuit Issue is a cultural phenomenon and financial goldmine.

SI

The SI Swimsuit Issue  is a good case study into how well egalitarianism works. Egalitarianism is the flattening out of differences. It tries to destroy hierarchy in the name of “all men being equal.” In reality it is a fight against gravity, against the way God made the world.  One would assume in world devoted to the “advancement of women” that the Swimsuit Issue would slowly fade away and become a relic of a bygone era of male domination. Yet despite all the protests of the cultural elite, despite years of egalitarian indoctrination, despite egalitarianism being the default worldview of most Americans, the Swimsuit Issues not only goes on, but becomes more powerful.  The Swimsuit Issues shows that gravity wins in the end. Egalitarianism has failed in its stated agenda; to make things better for women. There are exceptions to what I am about to say and this is but one slice of our cultural pie. However, we see egalitarianism’s failure in the Swimsuit issue.

First, despite egalitarianism’s contrary claim, women are different from men. Women have things men don’t.  Men want to look at those things. Put a half (mostly?) naked man on the cover and do you get the same sales? Of course not! Why? Because men and women are different both in body and in personal make up. But, of course the scholars contest this. “Men and women are really the same,” they opine. “What is in our pants doesn’t make us who we are.”  Just because women have wombs and breasts doesn’t mean they were made to have babies. I am not saying SI agrees with my assessment about why women are different. And I know they are using those differences between men and women in a twisted way. But they and their readers know that women and men are not interchangeable. The auto mechanic who reads the Swimsuit Issue knows more about how God made the world than the Ph.D. who has spent years and millions of dollars  in grants trying to prove men and women are really the same.

Second, some women are more beautiful than others. Egalitarianism denies any hierarchy, including a hierarchy of beauty. Christians tend to deny this as well. We think we are being nice by denying that some women are more beautiful than others. But in reality we are just lying. Of course, all women are beautiful in certain ways. I think my wife is beautiful. And you should think the same about your wife.  The definition of beauty can shift from time to time and place to place. Yet in every culture there are women who are more beautiful than other women. Again the Swimsuit Issue proves this. Why not just put your average woman on the cover in a bikini? Because your average woman, while probably a wonderful woman, is not as beautiful as Kate Upton. Despite egalitarianism’s claim, all women are not created with equal beauty.

Third, egalitarianism has not caused men to stop treating women like sex objects. Men buy 1 million copies of the Swimsuit Issue because they want to look at half-naked women. There is a reason for this. Women were made for sex and so were men.  SI has taken that and perverted it, but there is a truth in their perversion. I find it odd that many egalitarians fight against men who they think are too patriarchal, but refuse to protest things like the Swimsuit Issue, pornography, and Fifty Shades of Grey. You can’t on the one hand claim that women are more than sex objects, but then encourage women to parade their breasts to the watching world as a sign of their freedom from being a sex object. This goes for many of pop music’s female stars as well. They dress provocatively, dance provocatively, sing provocatively, but then they don’t want women to be treated like objects. By the way, I am not saying men who treat women like objects are justified. It is wrong to do so. My point is that egalitarians speak out of both sides of their mouths. You can’t say, “Don’t treat us like objects” and then go make yourself an object to be stared at. A vast majority of the women in this world were made for  a sexual relationship. Either they become sex objects for leering men, are rejected because they are not sexy enough, or they become objects of affection and protection for loving husbands. Egalitarianism only provides us with the first two.

So how should Christians respond to SI’s perversions and egalitarianism’s siren songs?

First, we should rejoice in the differences between men and women, including the physical differences. God made us with certain parts. He likes it that way. Solomon encouraged husbands to be intoxicated with their wife’s breasts (Proverbs 5:19).  All attempts to flatten out the differences between men and women should be rejected. Instead these differences should be properly celebrated.

Second, we should acknowledge that God has given certain people gifts that are to be used to his glory. Strength, intelligence, riches, and power are all gifts from God. Beauty is a gift from God as well though we don’t often think about it that way. Women who are beautiful should not trust in their beauty, but neither should they deny their beauty. They should use it in a way that honors God. Often beautiful women get a platform that other women do not just as men who are strong will be called on to do things that other men are not.

Third, Christians should acknowledge that a vast majority of the people in this world were created for a sexual relationship. Single men should look forward to the day when sex is a regular part of their life. Single women should know that God made them to have regular sex with a man and bear children with him. I am not saying all people get this. Nor am I saying you are less of a Christian if God does not provide this for you. But this is the norm and should be treated as such. Sex is good when the boundaries in Scriptures are maintained. Christians should teach this basic concept without giving mini-sessions on how to have a good sex life.

Finally, Christians must remember that egalitarianism destroys women. Egalitarianism is one of the foundation stones of modern thinking.  It claims to improve the status of woman and to empower them. However, it has helped create an environment where in February 2015 we will get the best selling issue of any English magazine in the world and it is completely devoted to women being willing objects of lust. Later we will get a movie based on a book, written by a woman, that has sold over 100 million copies where women again are treated like sex objects, this time in bondage fantasies.  We could go on about TV shows by women that treat women as sex objects to pop songs sung by women where they act like sex objects.  Of course, there is more rotten fruit from egalitarianism, such as women going to war. But even looking at this one sliver, how women are treated sexually, egalitarianism has not improved the plight of women.  In fact it has lead down the opposite path; the degradation of women. A church that compromises with egalitarianism will wake up to find that some of the people she loves and needs the most, grandmothers, mothers, wives, and daughters are broken not  by wicked, harsh tyrants, but rather by those who speak the soft, soothing sounds of equality.<>siteразработка ов яндекс

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By In Culture, Interviews, Theology

Church Unity and Mission: An Interview with Samuel T. Logan Jr.

 

 

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Made up of 67 denominations, the World Reformed Fellowship was founded to “encourage understanding and cooperation among evangelical Presbyterian and Reformed denominations and institutions, and to link those institutions having ministry resources with those possessing vision but few resources. The fellowship promotes Reformed thinking, a Reformed world and life view, fosters evangelism and strategies on missions, church planting and theological education, and promotes international communication for the further advancement of the Gospel.” (more…)

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