By In Music, Theology, Worship

Christmas Carols: The Magnificat

In the beginning there was God and nothing else. Then Word carried by Spirit begins to pulse in harmonious tones into the nothingness. A world outside of God himself begins to appear. The song sung by the Triune God creates and begins to shape the world. As each element in the cosmos comes into being through this song, the song continues to reverberate in each created thing’s existence. The morning stars created by the song echo back and enhance the song as they become millions of voices (cf. Job 38.7). Mountains and hills, raised from their watery darkness, break forth into singing as they emerge. The trees that spring from the earth clap their hands (cf. Isa 55.12). Sea creatures, birds, and land animals all take up the song and sing the song of their Creator. Then the song shapes the dust of the earth into the form of a man and breathes the song into him. And when the woman is created from the man, the song is then sung in praise to God for the woman.

God is musical. God is a singer. His speech is glorified, and his glory cloud is made up of angelic hosts who surround him with music. The prophet Zephaniah says that he exults over us with loud singing (Zeph 3.17). Is it any wonder why, then, from the beginning of our existence, music and singing have been so prevalent? We are images of the Great Musician. His song, his image, vibrates through every fiber of our being. We are intended to continue this song, continuing to shape and create the world in harmony with God.

But the music in us has become discordant and distorted. Sin has intoned its own tune that is completely out of harmony with the song that is still in the creation. Those who love the old song, the original song, lament the dissonance and long for a new song that will bring in a new creation. That new song begins to be heard in the opening chapters of the Gospel of Luke. First Elizabeth. Then Mary. Then Zechariah. Then the angels. Then Simeon.

The presence of singing is not merely the exuberance of a few individuals (though they are rightfully exuberant). The songs indicate that the old discordant creation is not only getting its song back, but it is getting a new and greater song that will resound throughout the rest of time until the song of earth and heaven become one song.

Mary’s song contains some of the first notes of the new creation. The song is being sung into a world that is upside down. The wrong people are on the thrones of the earth ruling in unrighteousness. The wicked are exalted while the righteous are lowly. The wicked are rich and full, prospering from sinful structures, while the righteous are poor in spirit and hungering and thirsting after righteousness.

But as the song begins to be sung by a young, Jewish, virgin lady, echoing the brooding song of the Spirit that hovered over her to create Salvation in her womb, things are changing. The long-awaited promises given to Abraham that his seed would inherit the world (cf. Rom 4.13) are present, even though immature.

The song will grow louder as the Spirit gathers more singers. The new creation will emerge. Where there are thorns the cypress tree will grow. The myrtle shall grow and overtake the briers. The mountains and the hills will once again sing with joy and the trees of the woods will clap their hands (cf. Isa 55.12-13).

As the darkness continues to be pushed back by the light in this Advent season and throughout the course of history, continue to sing the songs of the Lamb, empowered by and in harmony with the Spirit. New creation is growing by the Spirit who empowers our song. Sing on!

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