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On April 29, 2020 By In Counseling/Piety, Theology

A Song for the Day of Trouble (part 2)

The same Spirit hovering over the waters at creation breathing life into the world a is the same Spirit who will at times trouble the waters of our soul so that we continually seek the Living Water. “And the Lord will guide you continually and satisfy your desire in scorched places and make your bones strong; and you shall be like a watered garden, like a spring of water, whose waters do not fail.” b  The same Spirit bringing the Word of Life into our hearts c is the same Spirit by which we can cry out, “Abba, Father!” in our hour of need. d As we move into the second part of the psalm, we are going to see what it is we really need when trouble comes and how the Lord provides.

Troubled times lead us to seek a particular salvation.

“In the night my hand is stretched out without wearying; my soul refuses to be comforted. When I remember God, I moan; when I meditate, my spirit faints.”

Psalm 77:2-3

When we think of nighttime, the picture we often get is one of resting from the labors and activities of the day. We think of laying our head down on our soft pillow and slipping off into sleep like the sun slowly settling beneath the horizon. Night should be a time of peace and rest. But it is not so for Asaph.

In the midst of troubles, the night brings him neither rest nor comfort. You can lay down at night with a weary body but a soul at rest and enjoy good sleep. But to go to bed with a weary soul often results in a restlessness of body. Here, either the troubles Asaph is experiencing make it impossible to sleep or he will not allow his body rest until his soul is also at rest. His soul is weary and worn, so his hand stretches out in help to God and he will not let it fall until he finds it. His body will not be at peace until his soul is at peace. He is not concerned about having sleepless nights. If this was his problem, then any sleep trick will do. Anyone who has experienced those first few weeks or months with a newborn baby knows to what lengths one will go to get some sleep. Asaph is concerned with knowing real peace and his soul refuses to be satisfied with anything less. 

This is the deficiency of our therapeutic age. Even if we correctly diagnose the problem, we are far too easily satisfied with the cure. We settle for numbing the pain rather than healing the wound. We mask the symptoms so we can hide the disease. We trade a birthright tomorrow for a bowl of stew today. e  

But Asaph isn’t trying to escape the presence of trouble and all that comes with it; he is seeking to find comfort in the presence of the Almighty. He knows what St. Augustine would come to understand and pray centuries later, “Thou hast made us for thyself, O Lord, and our heart is restless until it finds its rest in thee.”

We often seek comfort by forgetting. We try to find peace by escaping reality, not contemplating it. Think of all the things we do to check out of life for a little while. Whether it’s alcohol or binge watching or working out, we can all very easily fall into the trap of self-medicating in order to forget the worries and cares. Asaph does not seek comfort in distraction but meditation. He intentionally directs his thoughts to God. But, surprisingly, when Asaph contemplates God, that meditation initially brings more sorrow and weakness to his heart and soul. 

Why would meditating on God cause his spirit to faint? Doesn’t Scripture promise that “they who wait for the Lord shall renew their strength; they shall mount up with wings like eagles; they shall run and not be weary; they shall walk and not faint”? f He grieves in his spirit because the greatest delight and comfort of the Christian is to have the favor of God. For the child of God, the greatness of our salvation is not what we have been redeemed from but the Father we have been saved to. What sweeter blessing can we receive than that the Lord make His face to shine upon us, lift up His countenance to us, and give us peace? g

But days of trouble can set a cloud over that glory. We do not sense his favor. We do not feel the warmth of his presence. “Darkness hides his lovely face,” as the hymn puts it. h Remembering the goodness and favor and blessing of God in the past makes the present darkness all the more dark. Only those who have been to the summit of Everest can fully appreciate standing at the base of that mountain looking up into the clouds to a peak that cannot even be seen. But those are also the people who will not settle for anything less. Which means they must face the struggle; they must not shut their eyes, but look through the trouble until they see clearly once again.  

“You hold my eyelids open; I am so troubled that I cannot speak. I consider the days of old, the years long ago. I said, ‘Let me remember my song in the night; let me meditate in my heart.’ Then my spirit made a diligent search:”

Psalm 77:4-9

It is the Lord’s gracious hand that keeps Asaph’s eyes open and brings him to this point. The psalmist who cries out to the Lord in verse 1 now has no more words to speak. He moves from crying out in the day of trouble to now considering the days of old. His eyes gaze from the present to the past. First he looks up then he looks back. And in looking back he begins to rise above the waves that would threaten to drown him in despair.

Thus far in this song, Asaph has been the reference point. There are plenty of personal pronouns in the first two stanzas. Some commentators are critical of this. They see the psalmist self-absorbed in his trouble. That could be the case. If not true for Asaph, then at least true in my own experience. 

But I think Asaph starts where he does because this is a song for real people in the midst of real struggles learning to navigate real life.  The Apostle Paul exhorts us to be ready to give a reason for the hope that is within us. i That hope is not a gnostic experience. It is often forged in the fires of particular trouble and polished in the daily rub of relationships. Personal pronouns matter a great deal.

So, from crying out to the Lord to discouraged moans about the Lord to exhausted silence, Asaph finally speaks to himself. Refusing superficial sleep, he directs his mind and heart to remember his song. We will consider this song in the third and final part.

  1. Genesis 1:2  (back)
  2. Isaiah 58:11  (back)
  3. Deuteronomy 8:3; Hebrews 10:16  (back)
  4. Romans 8:15  (back)
  5. Genesis 25  (back)
  6. Isaiah 40:31  (back)
  7. Numbers 6:24-26  (back)
  8. Mote, Edward (1834). My Hope is Built on Nothing Less  (back)
  9. 1 Peter 3:15  (back)

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On April 27, 2020 By In Counseling/Piety, Theology, Wisdom

A Song for the Day of Trouble (part 1)

Troublesome times are a great constrictor of the soul. They squeeze with a kind of pressure that exposes what is within us. During a crisis of the magnitude and scope we are experiencing now, the responses of the people provide an honest look into the heart and soul of a culture.  Naturally, you will always have the deniers, the doomsayers, the opportunists, and a variety of other characters on the stage. But who will we be in the day of trouble?  

In Psalm 77, we find a genuine, honest dealing with life when the day of trouble comes. We find not only one man’s experience and expression, but a wonderful gift given by God to his people throughout all times and in all places about how to deal honestly with the realities of life when trials invade our lives, our families, our churches, or our communities. 

Many of us are familiar with what the worldly virtue of self-expression looks like. It is often raw and untamed. It flows like a water hose through social media, song lyrics, t-shirts, and even casual conversations. As the trouble increases so does the force and volume of its flow. 

In contrast, the Psalms are a mighty river channeled between the shores. Honest expression and real emotions are governed by the solid, immovable truths of glory and grace.  Whether rushing swiftly over jagged rocks or flowing as quiet waters, these divine songs always bring us to see life clearly…as it truly is, as it is meant to be, as it is going to be for the people of the cross. How we express ourselves in these troubled times will either muddy the waters of reality or it will bring clarity, both for us and the watching world. 

As we step inside Asaph’s world and walk with him in his day of trouble, we also are learning how to walk. As the Lord Himself invites his people to sing this song, we are learning how to dance when the music of life plays the minor key. 

Troubled times lead us to seek a particular Savior. 

“In the day of my trouble, I seek the Lord.” (v.2) 

When trouble comes, Asaph’s eyes look heavenward. This response seems so obvious to us, so much so that we probably don’t take the time to ask the question, “Why does he seek the Lord in the day of trouble?”  It’s a question that appears too simple to even warrant consideration, but consideration is exactly what’s needed. 

The psalmist recognizes that only the Lord can deliver him out of his troubles. So it’s to the Lord he runs. We don’t know what these troubles are or the context of the situation. It really doesn’t matter. It is enough to know that Asaph is a man in trouble. He is not simply troubled by things he sees or knows; he calls it “my trouble.”  And how he responds to those personal troubles reveals something about his own heart and the heart of the One to whom he seeks. Life squeezes, circumstances overwhelm, and the psalmist responds almost instinctively in a particular way.

Have you ever been in danger of drowning or seen someone else struggling to keep themselves afloat? I’ve never literally been in that situation, although years ago I did have to jump into a pool fully clothed to help one of my sons who had ventured too far into the deep end. It was a bit scary at the time and I ruined a good phone and my favorite pair of shoes. But I most certainly know the feeling of drowning under the pressures of life. I know that in those moments of physical or emotional drowning, the temptation is to look for anything that might hold out the slightest hope of rescue.

Asaph is not a drowning man thrashing and clawing for whatever he can find to hold on to. When trouble rushes in, his eyes are not frantically searching for relief and deliverance. The reason something like a microscopic parasite can throw the world into hysteria and confusion is because every individual and every nation responds according to how they answer two basic questions: What do they want? What is getting in the way of what they want? The ditches of history are strewn with a long line of saviors and scapegoats. 

Asaph’s eyes are drawn to a certain Deliverer and a particular salvation. He does not seek a convenient savior; he seeks the consummate Savior. There is a world of difference between the two. He resonates such glorious truths as Zephaniah 3:17, “The LORD is in your midst, a mighty one who will save;” and Psalm 121, “I lift up my eyes to the hills, from where does my help come from? My help comes from the LORD, who made heaven and earth.”

Troubled times lead us to a particular response.

I cry aloud to God, aloud to God, and he will hear me. (v.1)

How the psalmist seeks the Lord is also telling. He cries aloud to God. He gives voice to his troubles. He brings them out into the open. He does not keep them shut up, nor does he silently endure. He shapes these troubles into tangible, spoken words. Obviously, the all-knowing, all-wise God does not need such audible expressions. He is “a very present help in trouble.” a But Asaph’s cries remind us of some important things to keep in mind when our day of trouble comes. 

God does not need us to put words to our suffering, but neither does He discourage His children from doing so. We do not have to silently endure. We do not have to stoically wait upon Him. To cry out in pain and anguish and deep trouble is not a sign of weak faith. Jesus Himself gave voice to His anguish in the garden. Rather, our cries become a lament of the whole person. The soul is troubled and the body gives expression to it. Body and soul, Asaph seeks the Lord because body and soul the Lord created him.  

Not only does this expression show us something of the relationship between Asaph and the Lord, but it also indicates that this is not a private lament; it is not merely a personal trial. Giving voice to our need brings our burdens into the midst of the congregation. It brings our dependence upon God into the light of community. To be united together as the body of Christ means that there are no private troubles. b We sing these songs together as a vivid reminder of this reality. 

In the next part, we will look at the particular salvation Asaph seeks and how he finds comfort in the midst of trouble. Hopefully, we will gain some practical wisdom from the way he goes about moving from being restless to being at rest. For now, let us learn and imitate these songs so that when our waters are troubled, we can give honest expression to the depth and breadth of our suffering without violating the established boundaries of our relationship to Christ and His church.  The depth and breadth of His glory and grace is greater. While the world looks around pointing fingers and grasping for answers, the church should be singing. Not in obliviousness like Nero fiddling while Rome burns, but harmoniously and honestly lifting up our eyes and voices in hope for ourselves and the nations.

  1. Psalm 46:1  (back)
  2. 1 Corinthians 12:21-26  (back)

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On January 3, 2020 By In Theology

Psalm 80: A Song of Christmas Hope

Songs are both expressive and volitional. They give voice to and move us through a whole range of experiences and emotions.  People will often say that they were “moved” by a piece of music, and they are probably more right than they realize. Because music is a gift from God, and we are creatures made in God’s image, music takes us somewhere. 

Consider the psalms of David. These are songs of movement. They take us back, they move us forward. They ebb and flow in a way that is always directing our hearts and minds and communities toward a certain end. 

So is the case with repetition in the psalms.  Rather than retreading ground already covered, the repetition serves as a spiraling staircase leading us to higher ground. Repeating something is not just for the purpose of remembering, although that is immensely important. It’s also for the purpose of strengthening our longing and anticipation for what the song is leading us toward. 

Psalm 80 is one of those songs. It divides up into three sections by a chorus that is repeated three times. Depending on the liturgical tradition you are familiar with, repeating choruses in a song several times evokes different responses. Many of us have had some experience with choruses gone wild. We know what it’s like to be singing a song that feels more like being stuck in a whirlpool that wears you out with endless repeating circles rather than lifting you up in a spiraling ascent.  

But choruses, used rightly, can stir the waters in ways that help the song move us in the right direction. The chorus employed in this psalm is far from simple refrain as we will see.

(more…)

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On November 30, 2019 By In Counseling/Piety, Theology

Forget Not All His Benefits

Remembering is an essential part of thanksgiving. A forgetful person is someone who most likely struggles with ingratitude as well. And while you cannot give thanks for what you do not remember, there is a deeper meaning to the act of remembering than simply storing and recalling bits of information. 

As we come through another Thanksgiving holiday, learning how to remember and forget rightly will cultivate the rich heart-soil where gratitude and the grace that accompanies it can grow in all the various weather conditions of life.

Remembering that Leads to Gratitude

In Psalm 25, we find King David asking Yahweh to remember, and what he asks him to remember first is striking. He asks God to remember Himself.

Remember your mercy, O YAHWEH, and your steadfast love, for they have been from of old.

Psalm 25:6

If we are to understand what it means for us to remember, we must first look at what it means for the Triune God Himself to remember. It is significant that David calls upon the name of Yahweh. This is God’s memorial name as revealed to Moses from the burning bush.

Thus you shall say to the sons of Israel, “Yahweh, the God of your fathers, the God of Abraham, the God of Isaac, and the God of Jacob, has sent me to you.” This is My name forever, and this is My memorial-name to all generations.

Exodus 3:13-15

Therefore, to call upon the name of Yahweh is to call upon the God who is. His name perfectly encompasses and reflects His character. And His character is perfectly expressed in His acts. David understood this. David believed this with his whole heart. He knew that God’s remembering is a commitment to act.  Yahweh sets before Himself the reality of who He is and responds in a way consistent with that reality. His name is a memorial name.

(more…)

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On March 28, 2019 By In Theology, Worship

Tune Our Hearts to Sing Thy Grace

The Scriptures have a deep simplicity to them. They feed and nourish us from the first reading to the 100th. I understood this more vividly once I began reading and teaching the Bible to children. Not only are their little hearts warmed and their little minds enlarged in child-like faith, but so often is my own heart and mind strengthened by familiar ground revisited time and time again. These are ancient paths that become sweeter and richer with time.

The Psalms especially display this characteristic because they are not only meant to be read and studied and meditated on, but they are meant to be sung. What an incredible reality that we can simultaneously plumb the depths and exalt to the heights its glorious truths and do so with one voice alongside my children, the aged saints, and the young in faith. These are ancient songs that resonate with old and young alike.  

While I was working through Psalm 46 some time ago preparing a sermon, these thoughts were ruminating through my mind; and there were three “notes”, three observations that struck a chord with me and seemed to set the tune for this wonderful song of war and peace.

The first note we hear is the blessedness that comes from God’s immutability. This simply means that God does not change. He is the same yesterday, today, and forever. a This Psalm appears to have been written with a particular historical event in mind in the life of Israel. There are a couple of different opinions as to what event that might have been, but there’s no doubt that it was at a time of great uncertainty and danger for the nation as a whole.
The Psalmist begins by saying, “God is our refuge and strength, a very present help in trouble.” (v.1) The only way he could say that with confidence is to have fixed in his mind the firm belief that God Himself does not change; there is no shadow of turning with Him. The Psalmist looks back at what was and proclaims in the present what is. To serve an unchanging God is to elevate history beyond mere curiosity or cautionary tale or nostalgic recollection. History becomes one of the means by which God encourages and instructs His people. This is why a rejection of the worship of God eventually ends with a rejection of the importance and continuity of history.

For whatever was written in former days was written for our instruction, that through endurance and through the encouragement of the Scriptures we might have hope. May the God of endurance and encouragement grant you to live in such harmony with one another, in accord with Christ Jesus, that together you may with one voice glorify the God and Father of our Lord Jesus Christ. – Romans 15:4-5 ESV

The second note we hear is the blessedness that comes from God as creator. Like so many others, this Psalm makes use of nature imagery like earth, mountains, rivers, and seas. Unfortunately, we live in a time that makes it very hard to appreciate the significance of this. C.S. Lewis, in his book, Reflections on the Psalms, is insightful and helpful on this point.

He explains that acknowledging the One true God as the creator of all things brings a separation between the Creator and creation that releases Nature from being divine and frees her up to be a symbol of the Divine. Let me give you Lewis’ own words.

“To say that God created Nature, while it brings God and Nature into relation, also separates them. What makes and what is made must be two not one. Thus the doctrine of creation in one sense empties Nature of divinity…But in another sense the same doctrine which empties Nature of her divinity also makes her an index, a symbol, a manifestation, of the Divine.”

In other words, only when the “created” speaks for and points to the “Uncreated” can it find its fullest expression and meaning. So earth, mountains, and seas are both real created things and instruments through which God reveals a greater reality, a more lasting reality. Thus, the song of the Psalmist establishes us as in the world but not of it. It is a Christianity that is earthy but not earthly.  

The third and final note is the blessedness that comes from God as covenantal. We not only have a God who is immutable, and a God who is eternal, but we also have a God who is relational. And this covenantal relationship between the eternal God and his chosen people is the very thing that enables the Psalmist to say “[Because] God is our refuge and strength…therefore, we will not fear…” (v.1,2)  The LORD is most wonderfully our LORD and we are His people. It establishes the connection between how we live and who God is. Our hearts can then be tuned to fill in the blanks with absolute hope, “Because God is _________, therefore, we (as His people) will _________.”

Let these notes resonate in our hearts and minds as we study and sing the Psalms. We serve the Lord of history, the Lord of life, and the Lord of love, and He is bringing us in harmony with Himself and one another.  



  1. Hebrews 13:8; James 1:17; Malachi 3:6  (back)

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On June 13, 2017 By In Family and Children, Music

Musical Segregation: Questions from a Concerned Pastor

I am not a trained sociologist, though I play one at home as a father. I am constantly analyzing trends and the origination of certain behaviors and offering solutions. Thankfully, as a Christian father, sociology can be summarized simply by the study of sinful patterns; patterns that can be easily studied and analyzed.

As a pastor, I also have the opportunity to study trends and patterns in the local church. Church life is messy, and with it comes messy patterns and behaviors that only Jesus can undo. But I am not only a student of my congregation, I also enjoy studying modern church trends. In such cases, my studies will lack the gravitas found in well-funded research teams. Still, I am comforted by the fact that every sociologist is biased. He may have correct numbers, but what he does with the numbers is based on his presuppositions. How he phrases the questions determines what responses he will receive.

I set this background to emphasize that my conclusions are not flawless but grounded in my personal, ecclesiastical, and societal concerns. With this in mind, let me make the following assertion: “Churches that segregate musically are bound to segregate corporately.” I have seen it happen again and again, but beyond the anecdotal evidence, the rationale of modern trends seem to affirm that proposition. Let me flesh out my concerns with a few questions and affirmations:

First, why do we assume that children and teens need a different kind of music than adults? Why do we think that “praise and worship” provide something for young folks and not for older saints? We attempt to accommodate the tastes of Christians in different stages of life, but what are we actually accomplishing? Are we merely perpetuating society’s self-centeredness? Is ecclesiastical music shaped to fit particular tastes and styles?

Second, I have noticed that every church that has a modern flavor differs from other churches that offer modern musical flavors. So to say, “I like contemporary music,” leads to another question: “What kind?” Is Amy Grant “old” contemporary? Is Michael W. Smith “old” contemporary? Is Hillsong music “new” contemporary? We must keep in mind that we are dealing with a span of 20-30 years here.

Third, we have abandoned Psalm-shaped music. I am not advocating exclusive psalmody, but I am saying that when we abandon the regular singing of psalms, we lose gospel creativity to compose biblical hymns. Historically, psalm-centered churches produced psalm-like hymns.

Fourth, as our children continue to grow in evangelical churches where music is dispersed according to age and style, how will they and their aging parents ever come to a proper understanding of the role of music in the Church? Will they ever be able to sit together to sing? Will the college bound son ever wish to come to dad’s church during summer breaks and genuinely enjoy singing praises to God? Or will he merely tolerate it, as a kind gesture to his Fanny Crosby-loving parents?

Fifth, have we considered the consequences of dividing our services into contemporary and traditional? Are we making it easier for older saints to bless younger saints, or are we making it harder? How are we stressing unity when our churches naturally divide over musical styles? Can we fulfill Paul’s exhortations to eat and drink together?a

Sixth, is contemporary music as a category truly contemporary? “Shine, Jesus, Shine” appears archaic to modern worship services. While new musical compositions can be admirable things, many churches only use music composed by their musical team. What happens for visitors who are long-time Christians? What happens when people from diverse contemporary churches visit a church that writes their own contemporary melodies? Are the contemporary going to feel divorced from their fellow contemporary music lovers?

Seventh, does the predominant hunger for the new ever get old? In other words, what happens when millennials raise their own children who think their parents’ music is as old as an MP3 player? What happens when the world turns against the modern?

Eighth, are we teaching through our music that music divides rather than unites? Are we teaching our children that what we sing is what we like and we like only what we sing?

Ninth, will our children leave us when they find us to be evangelically irrelevant to them? Are we setting the stage for their departure by granting their generation musical style privilege?

Finally, what role does the Bible play in our church music? Does tradition provide any help in our consideration of what we should sing? Can we merely discard 1,900 years of church music for the new? Are we a better generation than our faithful forefathers who gave their lives for the gospel? Do we follow in the train of the latest trend, or the Davidic train that offered us divinely-inspired music? Does our inspiration in modern composition stem from cultural romantic tales or the gospel romance of Ruth and Boaz? Is our church music bringing our families closer together, or is it separating us? Can your 18-year-old say, “Dad, let’s sing together?” If not, is that a good thing?

We all claim our music is praise-worthy, but can our music be God-worthy if God’s people are not singing a new song together?

(more…)

  1. I am fully aware of functional/practical building issues, but here I am referring to churches that can easily accommodate everyone in one service  (back)

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On December 20, 2016 By In Theology, Worship

10 Questions Preachers Should Ask Before Sunday Morning

I have been a pastor for almost a decade. I spend between 12-15 hours each week thinking, researching, and writing before I deliver the first words in my Sunday sermon.a The process of writing my sermon goes through a lengthy journey each week. I contemplate several questions from Monday to Friday which force me to edit and re-edit my manuscript. There is no perfect sermon, but a sermon that goes through revisions and asks import questions has a much better chance of communicating with clarity than the self-assured preacher who engages the sermonic task with nothing more than academic lenses.

I have compiled a list of ten questions I ask myself each week at some point or another.

Question #1: Is this language clear? When you write a manuscript ( as I do) you have an opportunity to carefully consider the language you use. I make a habit of reading my sermon out loud which leads me to realize that certain phrases do not convey the idea clearly. A well-written sermon does not necessarily mean a well-delivered sermon. Reading my sermons out loud causes me to re-write and look for other ways to explain a concept or application more clearly.

Question #2: Is there a need to use high theological language in this sermon? Seminary graduates are often tempted to use the best of their training in the wrong environment. People are not listening to you to hear your theological acumen. I am well aware that some in the congregation would be entirely comfortable with words like perichoresis and Arianism. I am not opposed to using high theological discourse. Words like atonement, justification, sanctification are biblical and need to be defined. But extra-biblical terms and ideologies should be employed sparingly. Much of this can be dealt in a Sunday School class or other environments. High theological language needs to be used with great care, and I think it needs to be avoided as much as possible in the Sunday sermon.

Question #3: Can I make this sermon even shorter? As I read my sermons each week, I find that I can cut a paragraph or two easily, or depending on how long you preach, perhaps an entire page. This is an important lesson for new preachers: not everything needs to be said. Shorter sermons–which I strongly advocateb–force you to say what’s important and keep some of your research in the footnotes where it belongs. Preachers need to learn what to prioritize in a sermon so as not to unload unnecessary information on their parishioners. (more…)

  1. Thankful for great interactions before this article was published. It helped sharpen my points  (back)
  2. By this I mean sermons no longer than 30 minutes  (back)

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On October 4, 2016 By In Family and Children, Music

Why Don’t Men Sing in Church?

Why are men not singing in Church? Various articles have attempted to answer that question recently. But before we can try to offer a rationale for such a spectacular question, we need to observe that some are entirely comfortable allowing this trend to continue. After all, music plays a minimal role in their worship expressions. Others find the issue of congregational singing irrelevant due to the trained praise bands that lead worship each Sunday. “Let the professionals lead.”

Certain environments encourage people to hear and feel the music rather than sing it. And some groups have placed such high priority on the preached word that the very idea of a singing congregation seems secondary, if not tertiary in the priority list.

But on to better things.

Fortunately, there are a vast amount of churches and leaders that still treasure congregational singing and long for a time when men return to the old-fashioned task of singing God’s melodies. The cruel reality is that we are far from the mark. In my many visits to evangelical churches over the years, the few men who opened their mouths, timidly read the words like a child attempting to spell out his phonics assignment.

Timid singers make for timid Christians. (more…)

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On August 28, 2014 By In Worship

The Weapons of Our Warfare: Children in Worship

Romanino Girolamo (Italian artist, c 1484-ca 1559). Presentation of Jesus in the Temple - 1529.The enemies of Jesus don’t like it when children get involved, because God has designed them as a weapon and as a reminder of God’s strength. If children are increasing, and if they are present amongst the worshipers, then they spell the coming doom of God’s enemies. They display the faith of his people, both in being faithful hearts themselves, and in showing off the trust their parents have in God. They are a tangible threat to godlessness. This is attested in multiple instances in scripture.

Let’s look together at a short Psalm (Ps 8) that helps us to see down into the inner workings of the war to build God’s kingdom – we will find out that one of the largest gears in the mechanism, one of the most powerful and necessary components in the wheels of the church, is the presence of children in God’s service of worship.

I expect this Psalm to be a good tool for talking to your children about their special job in the church service – and that job is: “to silence the enemy and the avenger.”

Before we can get a hold of this Psalm, we need a moment’s look at how God instructed rulership and kingdom expansion to come about in the first place – so turn to page one of the Bible and look down at verse 28.

God’s first command for his King, Adam, on how to rule was through a process of childbearing, and working with your children to bring the world under God’s reign.

“Be fruitful and multiply and fill the earth and subdue it, and have dominion over the fish of the sea and over the birds of the heavens and over every living thing that moves on the earth,” (Gen 1.28).

See this list of five:

  1. be fruitful
  2. multiply
  3. fill the earth/land
  4. subdue
  5. rule

 

PSALM 8 – The Weapons of Our Warfare

Psalm 8 is a worship song which is all about this very passage. Psalm 8 is about Genesis 1.27-28. Psalm 8 is about creation (“the work of your fingers,” v.3). It specifically mentions the principalities made on day 4, the moon and the stars, which Genesis 1 says are made over the earth to “rule over the day and night.” This is no coincidence: they are symbols of dominion, and the theme is all about dominion and ruling over the earth in this Psalm. Verse 6 says, “You have given [man] dominion over the works of your hands; you have put all things under his feet…” And then it lists land, sky, and sea creatures. Just like Gen 1.28 does! This is a Psalm about taking God’s majesty and the glory of his name and his rule outward to the whole earth!

But remember, in Genesis 1.28, in order to rule, you have to be fruitful and multiply. In order to take dominion, the church has to have babies. And Psalm 8 dives right into baby-having as the first related action to the bringing of the kingdom of God’s majestic name:

“O Lord, our Lord,
how majestic is your name in all the earth!
You have set your glory above the heavens.
2 Out of the mouth of babies and infants,
you have established strength because of your foes,
to still the enemy and the avenger.”

God gets the war for his glory underway this way – when the doctor spanks the newborn covenant member, that first gasp for air and the subsequent screaming – that is holy music. It shuts the devil up.

He can hear the majesty of God’s covenant name displayed over another life, and he is dumbfounded.

And we, like David, who sang to shut the mouth of the demons of the king of Israel, we sing. We sing David’s words to shut the mouths of the demons. We sing David’s words in Psalm 8 about the dominion of Genesis 1. And when we sing in church to make his name glorious with Psalm 8, then we confess in music that our babies are made as the work horses of the front line.

Tell your kids they have a job. That God has chosen them for glorious array in battle. That he has spectacles to make of enemies, and mouths of devouring adversaries that need to be shut. Tell them that they are needed in the Lord’s service of worship, and that no one else can take their place, and tell them that this we know for the Bible tells us so.

And if your toddlers are too young to follow the words of the Psalms in church, then have them make a joyful noise and hum. And if your babies are too young to hum along to the tune, just bring them to show them off. Show off your faith, and show off God’s promise. And don’t worry, they’ll make plenty of noise. You won’t have to manufacture that part.

Oh church! Oh holy dominion takers – open your ears for battle, listen as the kingdom comes at the noise of covenantal invaders, born to take up seating space in the sanctuary with car seats and diaper bags. Born to take up space in the worship of the King, edging out darkness with the chosen praise, ordained for your Sunday morning brush with the power of God saving the world.

And if you are unable to have children, or more children. If you are older, or widowed. If you are caught lonely and wondering what to do – then pray that the Lord would bring the kingdom, and that he would send a blessing of childbearing to your church. Help the parents of children to feel comfortable with the hard process of teaching babies to get a little more mature each Sunday. Help them not to fear the noise their children make.

Oh church, the noise of children in the sanctuary has at times been treated as a little lower than the angels. But let’s make it our job instead to crown it with glory and honor, as we hear the kingdom come.

—-

Luke Welch has a master’s degree from Covenant Seminary and preaches regularly in a conservative Anglican church in Maryland. He blogs about Bible structure at SUBTEXT. Follow him on Twitter: @lukeawelch<>реклама в интернетераскрутка а дешево

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On April 3, 2014 By In Worship

Fellowship of Suffering

In a recent article on the Christian Post, Dr. Cornelius Plantinga of Calvin Institute of Christian Worship voices a sobering critique of contemporary evangelical and reformed worship, observing that discussion of sin is disturbingly rare. Plantinga says this is seen chiefly in the obsolescence of rites of confession, and in the songs of the churches, where the “biblical tradition of lament, which is all through the prophets and the Psalms is gone, just not there.”

Plantinga hits upon a crucial point: the psalms (whether spoken or sung) have been absent from church liturgies for decades. Therefore, it’s no surprise that weighty biblical issues like sin, judgment, confession, and lament have become passé. Abandonment of the psalter results in an impoverished liturgical vocabulary, invites trite sentimentalism, and substitutes stilted emotive ecstasy for the broad biblical palette of spiritual affections. Confession and lamentation become foreign once the psalms are lost.

However, the presence of confession and lamentation requires not only appropriate liturgical forms, but a people who are willing to acknowledge the realities of sin, suffering, and injustice in their lives and in society. Communities are shaped by liturgy, but liturgies also take shape according to a communal ethos.

Increasingly, churches are generationally, racially, and economically segregated. Whether by design or not, this has occurred in large part because churches have attempted to be relevant to a fault, deploying marketing campaigns to create an enticing “brand,” borrowing sales techniques to bolster growth, and eschewing tradition in favor of trends. Such a strategy leads to demographically-homogenous congregations. By courting the culturally savvy and elite, churches truncate the body of Christ and cut themselves off from those who have a historic memory and experience of oppression, struggle, and suffering (e.g., the elderly, poor, racial minorities, disabled)–people who would be much more familiar with the vocabulary of lamentation and confession (even imprecation) than the typical hipster evangelical.

To be sure, evangelical churches are populated with plenty of suffering people. And as Plantinga notes, “Ceasingly cheerful worship does not fit with the lives of people who come to worship.” Notwithstanding, the chirpy aura of many modern churches discourages corporate recognition of sin and voicing of lament. Would such a lopsidedly optimistic atmosphere be as plausible and as entrenched if the church better reflected her identity as the new humanity in Christ, and embraced all classes, colors, and ages in her worship and fellowship? Perhaps, then, the pathway to biblically faithful worship needs to include not only recovery of the psalms, but reconciliation of division within the church.<>online mobiреклама а в гугл

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